Tuesday, June 1, 2010

Allergies Eyebrow Wax

CONS OF YOUNG


This morning, checking my I discovered that mail The National returned to Paris on November 23 Next, joy, happiness. But then I also realize that I've still not talked about their concert I attended there is a little less than a month. Remedi-y now!

On May 7 the Zenith had parried his best clothes indie: The National and Pavement. I'll probably fiddle with more than one but me I went there mainly for The National , the fault of my youth. What do you The National me and it's a long story of love, to upgrade to Biolay. Words.

I was a little afraid of this concert because the very large concert halls Not for me, you people frighten me. Listening only to my courage, I'm still made at the far end of Parc de la Villette. Immediately entering the vastness of the Zenit-half-empty concert begins. "Mistaken For Strangers" opens the ball, and immediately I am caught by that voice. That of Matt Berninger, who marries perfectly with the violins and brass for the occasion. It is hundreds and yet I feel he sings only for me. His "this one is for you" uttered before singing "England" for me of course, we all agree. They have played in my living room that would not have been otherwise. The pieces keep coming to perfection, imposing their heavy atmosphere that leaves you no choice but to convince you, if that was not already done, that The National is one of those groups apart, those whom we remember, those who have returned to. Once on stage each piece takes on its terrain, highlighting the perfection of melody, the care given to this text and voice that reaches the heart.

For an hour, a real mini-concert, we hear mostly songs from the beautiful High Purple -who leaked shortly before the concert: "Anyone's Ghost", "Bloodbuzz Ohio", "Little Faith" , "Conversation 16" as well as tracks from their previous album Boxer ("Slow Show," "Squalor Victoria" "Apartment Story" "Fake Empire") - "Mr. November" an exception to the rule. Their performance ends with "Scary Love", it only needed "Sorrow" for me based permanently in tears. Time stopped that night at the Zenith.


To get over my emotions, I decided to settle in the upper tiers, to examine at leisure my elders. Indeed, the crowd for the reformation of Pavement after 10 year absence is older than usual in concert and predominantly male. Ah the 90s, sweet time when indie was still monopolized by men and not these girls fucking wick (auto-tilt). So I want to see how the male behaves before one of his favorite groups in connection with a single concert in France.

Well let me tell you that they have nothing to envy their little brothers, the hipsters stuck, it shakes his head while in front of the group sends heavy decibel level. Even I mane that tickles me so make an effort shit! I get angry when in reality the mood when very slow to rise, should not rush grandpas. After opening on "Silence Kit" followed by 'In The Mouth A Desert ", I finally recognize the group as I listened to my discman with" Stereo. "Indeed, the sound is far from meeting the you, Malkmus's voice is regularly covered by the frenzied pace and power of percussion. Pavement enjoys telling us "We Are In 1992 " quick calculation I was 5 years old at the time, I feel a little out to go. Fortunately I did not have much time to think both pieces are linked together, the public never ceases to call "Cut Your Hair" this Malkmus what a half-annoyed half-amused replies that it is scheduled for the end. I'm really coming in after the concert "Shady Lane" and "Grounded", at the same time it lasted 1:45 I had my time. Despite the numbers of years our grandpas no shortage of planting more of their starts, as the newbies they are no longer, but they seem so much fun on stage because they have finally we're back in 92, j 've 5 years and "Delphine happy."

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